Falstaff is an opera celebrated for its comedy, but the wit of Alice Ford and her co-conspirators, the pomposity of Falstaff himself and the tangled intrigues of the finales are all set in relief by the work’s lyricism and sweetness. Ailyn Pérez as Alice and Ambrogio Maestri in the title role of Verdi’s “Falstaff.” Photo: Karen Almond / Met Opera. We hear this most strikingly in the music of the young lovers Nanetta and Fenton. Robert Carsen’s vibrant and colorful 2013 production of Verdi’s Falstaff brings together a powerful ensemble of opera stars with Ambrogio Maestri, baritone, in the title role, Ailyn Perez, soprano as Alice Ford, and Golda Schultz, soprano as Alice’s daughter Nannetta. Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogized in a fourth. At the Garter Inn, Sir John Falstaff, a knight who has seen better days but who chose a life of debauchery long ago, is forced to listen to the indignant Dr. Caius’s accusations that Falstaff’s two servants, Bardolfo and Pistola, had got him drunk the night before and robbed him. While it has not proved to be as immensely popular as the Verdi works that immediately preceded it, namely Aida and Otello, Falstaff has long been an admired favorite with critics and musicians because of its brilliant orchestration, scintillating libretto and refined melodic invention. Rather than long, suspended melodies, Falstaff contains many little motifs and mottos, that, rather than being expanded upon, are introduced and subsequently dropped, only to be brought up again later. Falstaff is often praised in lofty terms, as the crowning achievement of a great career. With Paul Plishka, Bruno Pola, Frank Lopardo, Piero De Palma. Each day, a different encore presentation from the company’s Live in HD series is being made available for free streaming on the Met website, with each performance available for a period of 23 hours, from 7:30 p.m. EDT until 6:30 p.m. the following day. Verdi wrote Falstaff at the ripe old age of 77, and he brought to it a lifetime of stagecraft and a profound love of Shakespeare. Directed by Brian Large. During this extraordinary and difficult time, the Met hopes to brighten the lives of our audience members even while our stage is dark. Three of the greatest operas of Giuseppe Verdi were inspired by the admiration he felt towards the genius of William Shakespeare: Macbeth, Otello and Falstaff, his final opera and second comedy.It is an ideal work, teaching us to take life lightly and laugh at ourselves, and it comes to the Teatro Real in a new production by the talented master in humor, Laurent Pelly. World of Opera presents Verdi's Falstaff, a brilliantly original and insightful comedy written when the composer was nearly 80 years old. He had already taken inspiration from Macbeth and Otello , and toyed with the idea of creating an opera based on King Lear , but he had never tried Shakespearean comedy. Falstaff was Verdi's last joint project with long-time collaborator Arrigo Boito, who adapted Shakespeare's The Merry Wives of Windsor into the libretto, also incorporating several scenes from Henry IV, parts 1 and 2.The score is like nothing else he wrote. In Falstaff, Verdi sets the preeminent standard for the form and style that would dominate opera throughout the twentieth century. It is in the standard repertoire of many opera companies. Nanetta and Fenton in three plays by William Shakespeare and is eulogized in a.... The crowning achievement of a great career who appears in three plays by William Shakespeare and is eulogized a. 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